A critical essay by Roberta Bertozzi on Ana Lupas’ project Armature, exploring identity, memory and resistance in contemporary art between collective ritual and self-portraiture.

Some reflections on the profound meaning of the work of art in the contemporary. This text revisits an excerpt from the essay “An Alien Body” by curator and art critic Roberta Bertozzi, originally published in 2018 in a catalogue produced by Galleria Gasparelli Arte Contemporanea, Fano.

Roberta Bertozzi reflects on Ahmet Güneştekin’s exhibition YOKTUNUZ at the National Gallery of Modern and Contemporary Art in Rome, examining the dialogue between classical and contemporary art.